TIMBER RATTLE is a roving, revolving and ongoing music project that continues to explore the connections between primordial sound, landscape, and the musics that have derived from our relationships to space and place throughout time. This contemplation manifests in a kind of "pyche-pastoral", a music both spatially vast and intimately inward-looking, which seeks to create a celebratory and reflective environment that shares borders with nature and silence.

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DREKKA owes something to the soundscapes and non-linear impressionism of Cindytalk or COIL, the industrial gravity of Einstürzende Neubauten or Hafler Trio, and the cinematic collaborations of Edward Artemiev/Andrei Tarkovsky or Simon Fisher Turner/Derek Jarman. But his work is singular, unique, and very personal. Throughout years of performing and recording, Drekka has explored early industrial tape culture, fragile bedroom noise-folk, and expansive cinematic textures. His work and performances touch on themes of silence, memory, and forgetfulness. But rather than obscure himself, as is so often the effect of experimental music, DREKKA functions as a direct line into Anderson's mind and his tenuous cache of memories. These personal aspects and this fragility are clearly on display, rather than being obfuscated by poetic abstractions.